迷人的保姆

迷人的保姆

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迷人的保姆

the●refore they needed no Maeterlin▓ck.And it was exactly so with t●heir painting.Their great artists did n●ot lose the

迷人的保姆

mselves, like Manet and his schoo●l, in problems purely of light ▓and air without poetical contents; hence ▓to rediscover

迷人的保姆

poetry and to save it for ●art[Pg 46] there was no need for Prer▓aphaelites or Decadents.The great▓ painter is artist, m

an

迷人的保姆

, and poet, a▓ phenomenon like Leo Tolsto, therefore th●e few symbolists who believe th▓ey must imitate European fashion▓s mak

e

迷人的保姆

no headway against them. ▓ Imitators can only exist among imita▓tors, by the side of nature's im●itators, imitators of Raphae

l'

迷人的保姆

s predece●ssors. A single true artist f●rightens away all the ghosts of th●e night, and thus decadence plays an insignifi●c

an

迷人的保姆

t rle alongside of Tolsto an▓d Ryepin, whether it be the decadent lit●erature of Huysmans and Maeterlinck, or the ●decadence of

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